Showing posts with label jewelry making. Show all posts
Showing posts with label jewelry making. Show all posts

Monday, October 3, 2011

Now You See It, Now You Don’t…Transforming Your Workspace


The latest Reader Challenge is to show us your workspace. 
We all love to see where other artists work! 

MCAM reader, Yvonne Kuennen shares her experience with organizing her space and clearing the clutter… 
When you work with metal clay, you tend to fall in love with it because it takes up so little space. It’s extremely portable, and a very small toolbox will hold most of your tools. Many of the basic tools are common things you might find in your kitchen or around the house: miniature rolling pin, cookies cutters, picks, emery boards, brushes, etc. In no time at all the tools multiply; and, before you know it, take over a portion of your house! The other people who share that living space are forced to give it up. It really is unfair—to everyone concerned. 


It is a challenge to organize so many tiny tools. You can’t have too many tools or too many beads (everyone knows that)! The question is, what do you let go of? 
In my study of Feng Shui I ran across a book entitled Clearing the Clutter. Then I attended a workshop on the same topic. The basic premise for Feng Shui is in the clearing of spaces. The best tip I learned was to create three boxes (or bins) with these labels: donate/repurpose, pitch and keep. The trick for me was getting the boxes to the thrift store or the trash before I got a chance to pull things back out. I kept telling myself, “less is more.” It is so true. 


Sort it all out and systematically categorize the things you are sorting through. If anything appears to be taking up too much space, find a bin for it. Be ruthless…is it being used? Selling or donating unused items is the easiest route in making them go away. The cash or credit you receive is such a plus that the pain of letting go is minimized.
Space planning is also no small feat. It requires a good deal of thoughtful planning and engineering. It also requires a high degree of organization. Without organization, you don’t know what get rid of. In my own case, the dining room table became a parking lot for all stages of design and production. 


I struggled for months (years to be truthful) to figure out a better order for all these things. I had several different beading rooms, but each one became a cluttered nightmare with no visible tabletop to work on.
VOILA! My husband Michael, the wood artist, built a wall-to-wall bookcase from “stick.” It is five sections from floor to ceiling, made of alder-stained cherry with cupboards beneath each section. Each cupboard now houses the myriad of tools and various pieces of equipment for my trade.


One cupboard has kits for seven students (my maximum for teaching workshops), the next has a tower of drawers to house all the molds I’ve made, a variety of texture tips, cutters and the like. The third holds all my firing equipment in a work bucket. The fourth has all my scrap glass and tools for making the dichroic cabochons. The fifth stands empty—yet to be filled, but that is a good thing since I am not finished. I still have beads to organize (get rid of)? The best organizing tool that I have found for beads are 5.5 x 9 x 1 inch trays with separator black felt bottoms. Some even have tops that snap shut. These trays stack neatly, and once labeled, make it easy to find a particular bead.
Bringing peace into your house by organizing your workspace can be done without a degree in Feng Shui. It is highly recommended to understand the principles of this ancient art of placement and worth any time you can spend studying it. The timing is important because the process is difficult on an emotional level. Several weeks in between “pitches” made it easier for me, and each one was less painful than the first. The art of organizing your workspace is a process, and you have to remember to “trust the process.” What a difference it has made to have a clean dining room table! 


With my new organized workspace, I find myself being much more productive .


My head is clear and I find more room to design and plan new projects. In demonstrating my respect for other people’s space, my relationships have improved. I have started cooking again due to the newly cleared dining room table. The kitchen is no longer permanent parking space for the crème brulee torch, torch stand and tumbler!
~ Yvonne Kuennen

Sunday, August 7, 2011

Yoga for Metal Clay Artists


Sometimes when I’m working at my bench, I concentrate so hard it occurs to me that I almost forget to breathe! Not a good thing, because I like to breathe and plan to keep doing it as long as I can.


Another thing I do is tense up my muscles all around my neck and shoulders. And I don’t blink my eyes often enough… You get the picture.


I’ve been practicing yoga for many years, and I have realized that I should apply some of my yoga practice when I’m working. I discussed the idea with Rosie, my yoga teacher, and she had several suggestions. I thought I would share a few ideas with those of you who also think you might benefit from this.


All of these movements should be done very slowly, gently and deliberately. Never do anything that hurts. These are gentle stretches intended to release your body from the tension that builds when we concentrate so hard. This is not intended to be a workout!


Start with the breath. These are called 4-7-8 breaths. Sitting up straight, inhale slowly and mindfully to a count of 4. Hold your breath to a count of 7. Then, exhale slowly to a count of 8. Slowly repeat a few times, taking care not to make yourself dizzy.


Now the eyes– periodically it’s a good habit to give your eyes a little break. Try these movements; look up to your forehead, then straight down to your chin. Stretch your eyes to look as far to the periphery as you can. Look up, then down, several times. Then do the same thing, but look left and right– from ear to ear. Afterward, rub the palms of your hands together vigorously to generate some heat. Then, cup your hands over your eyes, resting the heals of your hands on your cheekbones and your fingertips at your forehead. Close your eyes and let the warmth and darkness relax the eye muscles.


Next, the neck. Sitting up straight, with your shoulders evenly across, slowly lift the neck as if to stretch the spine. Very slowly and gently lower your chin to your chest. Then, slowly tip your head to the right and roll your head around—right, back, left, and front. Roll very gently and don’t strain your neck. Keep your chin pointed to the center and pivot around it. Next, repeat in the opposite direction. After that– stretch upright again, lifting the neck. Keeping your shoulders down, slowly and gently turn your head to look over your right shoulder. Then, move across to look over your left shoulder. Relax.


Now, the shoulders. Again, sit up straight, shoulders straight across. Then, lower your shoulders down. Roll your shoulders around to the back, then raise them up to your ears, then forward. Roll your shoulders several times, gently. Relax. Repeat in the opposite direction.


Last, something for your forearms, wrists and hands. Sitting up straight, hold your arms against your sides. Raise your forearms at a 90 degree angle out in front of you, hands straight out with the palms down, fingertips pointing forward. Holding your forearms in this position without moving them, bend your wrists so your hands are facing straight up– palms out, fingers pointing to the ceiling. Now slowly bend your wrists so your hands are facing down, backs of the hands out, fingers pointing to the floor. Keep your forearms in the same position without moving them. The wrists and hands will do all the moving. Repeat up and down, several times. Then, bend the wrists so your fingertips point right, backs of the hands out, palms toward you (as much as possible), forearms still not moving. Repeat by bending your wrists to the left. Left, right, several times, slowly. Then, still keeping the forearms straight, stretch your hands out fully, palms out, fingertips pointing up to the ceiling. Then squeeze the hands into in a fist. Stretch and squeeze, several times.


I hope you find these exercises calming, but at the same time getting the blood flowing! There are many more ways yoga can be practiced at your bench. Give it a try. Namaste!

~ Evelyn

Sunday, May 29, 2011

How to Make Faux Spiculum Chain End Findings


A spiculum? What on earth is a spiculum? In metalsmithing terminology, it's the name for a tapered tube of metal. They are formed from a flat sheet of metal, the seam is soldered, then they can be curved and bent in a variety of attractive forms.


Metal clay lends itself to a similar technique. Because we can easily roll metal clay into a tapered form, we can make our own version of a spiculum. I make them into custom chain ending findings for unfinished chains and call it a "faux" spiculum–because it's not really a tube. At least not all the way…


Here is a tutorial on how to make these chain endings, using my faux spiculum technique. It's an easy intermediate project–I am going to assume you know basic metal clay procedures, including how to roll a metal clay "snake".


If you would like a copy of the PDF just click on the link below. It will immediately automatically download for you.


DOWNLOAD THE PDF


I hope you enjoy it!

~ Evelyn


Monday, May 16, 2011

Celebrating two great years of great articles and projects !

Metal Clay Artist Magazine is celebrating its 2nd year anniversary.


I am very happy to see how this great magazine has grown so much. Each issue is bigger and full of great articles, projects, tips and beautiful pictures of work by many artists around the world.


Thank You to Jeannette Froese LeBlanc, Carl LeBlanc, Margaret Schindel 
and all their great team of helpers for such a great job !

Thank You to all of you for supporting this wonderful magazine !!


Here are some links you can visit and join the groups.

Happy Birthday Metal Clay Artist Magazine !!!

Love,


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