Showing posts with label jewelry. Show all posts
Showing posts with label jewelry. Show all posts

Tuesday, June 26, 2012

Design Contest Winners: Metal Clay Plus

We were happily surprised to see the nearly 200 entries for the Metal Clay Plus Contest. We saw pieces with polymer clay, resin, enamels, fibers, ceramics, wood,etc. All the pieces were beautiful and very innovative.


Thank You to our contest sponsor, PMC Connection and to CEO Jennifer Roberts for her support. Also a big thank you to the judges, Lora Hart, Celie Fago and Joy Funnell.
We also want to thank all the wonderful artists who submitted images for the contest for taking this opportunity to share your art with all of us.

After the judges carefully scored the images the winners were selected and are as follow.



FIRST PLACE
Kimberly Nogueira
Lost Point of Origin
©Kimberly Nogueira
Fine silver, sterling and bronze clays, Mica, Vitreous glass enamel, Paper, Thread, Tourmaline,Found object,
Pearl, Etched and pierced copper sheet, Fine silver wire, Sterling silver sheet, wire and tubing.


SECOND PLACE
Noortje Meijerink
Speedy bird
©Noortje Meijerink
Porcelain clay and copper clay


THIRD PLACE
Liz Hall
Inner Works Pendant
©Liz Hall

Fine silver clay, Polymer Clay, Fine silver wire, Glitter, Iridescent powders, Liquid polymer.



HONORABLE MENTION
Milica Bubanja
Vintage Fabric Silver Clay Ring 2
©Milica Bubanja




Congratulations to all !!!





Sunday, February 5, 2012

Metal Clay Design Competition

Start your year by challenging yourself and enter this wonderful competition organized by Metal Clay Artist Magazine and sponsored by USA-based PMC Connection.
The theme for the competition is "Metal Clay Plus...." You can use any type of metal clay and another non-metal material to create your piece. This can be a great opportunity to start experimenting and playing with materials that you may have not use before.



Design requirements:
Metal clay needs to be feature prominently in the design. You can use one or more non-metal materials like resin, glass, polymer clay, enamel, cement, paperclay, fabric, found objects, etc.


Example:
©2011 Lorena Angulo
FastFire Bronzclay, Creative paperclay cabochon
with colored pencils.


Judging Criteria:
Pieces will be judged based on their workmanship, originality, presentation, creativity and effective use of materials.
Artist may enter up to 3 pieces.



Eligibility:
Any independent artist who neither is employed by a metal clay manufacturer nor is a staff member at either PMC Connection or Metal Clay Artist Magazine may enter his or her work into the contest.


Entries:
All designs entered in this competition must be original. Winning pieces from other competitions are not eligible to be entered. Each entry must be accompanied by a description of the design, inspiration, construction technique and materials used.


Photos:
Images must be .jpg labeled
 using the following format:
Artist Name_Name of piece(optional)_brief description_country.jpg
(example, Jessica Wong_Morning Mist_PMC Pearl Bracelet_Japan.jpg).


Image dimensions:  minimum 4" x 6"
resolution: minimum 300 dpi

Send photos to contest@metalclayartistmag.com

with the subject line "MCAM Design Competition"


Awards:
1st Price $300 gift certificate from PMC Connection
2nd Price $200 gift certificate from PMC Connection
3rd Price $100 gift certificate from PMC Connection


Winning pieces will be feature in a PMC Connection ad and an article in MCAM.


Entry Deadline:
Pieces must be submitted by 11:59 Eastern Time on February 29th, 2012.

Judging:
Winners will be determined by a panel of jurors

Availability of winning entries:
Winning entries will be showcased in Metal Clay Artist Magazine and must be available to be photographed professionally (if necessary).


You still have time to make something and share your creativity with us !





 









Tuesday, January 17, 2012

Are you lost in cyberspace ??

I have talked about the importance of crediting your images the right way every time you post a picture of your work in any site in the Internet. This not only gives you the rights and credit of your work but also makes your images have an identity.
I talked about this topic in this post: Do you credit your art work the right way?

Crediting your images is very important but it is also not the only thing you have to do when you post your images on line, tagging your pictures is extremely IMPORTANT !! 
You will be lost in cyberspace if you do not tag your images.


Some people may think this is too hard or they may not want to do the extra job of writing tags for their images, but I am telling you, if you do not do it then I do not see the point in posting your images without tags. Tags help you to make your pictures visible to others when they do search in the Internet.


Tagging an image is simple, tags are words that will describe what is in your picture; for example:
ROSAS
©2011 Lorena Angulo
Sterling PMC
Photo: Speedy Peacock
Tags: Lorena Angulo, Ring, Silver, PMC Sterling, Sterling, Metal Clay, Roses, flowers, leaves, jewelry, textures, hand sculpted


Every word in this list will make my image visible when someone writes a "key" word in any search page. 

I hope you will take the extra time when you see a space that says "tags" or "labels" to write tags in your images the next time you post a picture, this will help you and help others find your work.



Happy Tagging !!!!  


Keep Playing, keep creating !


Lorena Angulo

p.s. I almost forgot !! I need to tag my blog post too ! ;o)

Tuesday, December 13, 2011

25 grams of PMC Sterling

I was very happy to have the opportunity to play with the new PMC Sterling back in November. Finally we can have a metal clay that it is stronger and can me mark as .925 silver (sterling).


I got a package of 25 grams and I got into my studio to make some pieces with it. The working time for this type of clay is longer and it gives you the flexibility to not worry about the clay drying too fast while you are working with it. The color of the clay is darker and the texture is great and easy to work with.


My plan was to make a ring, earrings and a pendant. The first piece I made was the ring, I hand roll a long snake and wrap it around a mandrel to form the band. The joining of the joints was easy to make and I just added some water to smooth the connections.
I decided to go 3.5 sizes bigger than the size I need it for the ring. I do not use any inserts in my ring when I fired it, I believe it is better to let the clay shrink all the way.


Carving is another thing I wanted to try with this clay since most of my work has carving in it. I was surprise to see how smooth and easy carving was with this type of clay. The carving went perfect and I saved my carving scraps to add some texture in my pendant later on. 


Since the clay has a longer working time before it gets dry, I knew hand sculpting will be easy and great to do. I hand sculpted a rose to add to my ring and it was perfect for sculpting.
I let the rose dry first before I added it to the center of the band, this way you will not deform the rose. Adding the rose was easy by using water and fresh clay to join the rose to the band. I do not like to use paste for this, I prefer to use fresh clay instead of paste. I continue to hand formed little rose buds around the center rose and some leaves.


For the earrings I wanted to use sterling jump rings and fire them in place. I embedded them in the earrings with fresh clay and hand formed flowers and leaves. In the center of the flowers I attached a CZ Garnet. 


For the pendant I play with textures and added my carving scraps on top of the heart with water. I carved and hand formed roses for the front and back of the piece. I always like to add something extra on the back of my pieces.


My firing schedule was different from the package because my pieces were thicker than 3mm. For the open shelf firing I fast ramp to 1000F and hold there for 40 minutes. I let the pieces cool down completely inside the kiln before I took them out to do the second firing.
For the second firing I added a coat of activated carbon at the bottom of the steel pot and added my pieces in one layer. I covered them with more activated carbon and closed the pot with the lid. I fast ramp the kiln to 1500F and hold there for 45 minutes. I also let the pieces cool down inside the kiln when the firing was over.




This is how the pieces look like when they are fired and out of the kiln. A white matte color and they do not have any oxidation or black coloring in them, not even in the sterling jump ring.



I brush them with a brass brush and soapy water, added LOS Gel patina and finally I polished them in a magnetic tumbler.


EL CORAZON
©2011 Lorena Angulo
PMC Sterling
Photo: Speedy Peacock
FLOR
©2011 Lorena Angulo
PMC Sterling, CZ Hessonite Garnet, Pearls
Photo: Speedy Peacock
ROSAS
©2011 Lorena Angulo
PMC Sterling
Photo: Speedy Peacock


I want to continue experimenting and I am going to fire the clay to a longer time, maybe close to 2 hours. I will let you know how this goes and if the size of the ring shrinks more if I add more time to the firing.

I am sure you will all like to work with this clay and the best of all is that the price is very similar to PMC3.



Keep Playing, Keep Creating !!


Love,
Lorena Angulo

Monday, October 3, 2011

Now You See It, Now You Don’t…Transforming Your Workspace


The latest Reader Challenge is to show us your workspace. 
We all love to see where other artists work! 

MCAM reader, Yvonne Kuennen shares her experience with organizing her space and clearing the clutter… 
When you work with metal clay, you tend to fall in love with it because it takes up so little space. It’s extremely portable, and a very small toolbox will hold most of your tools. Many of the basic tools are common things you might find in your kitchen or around the house: miniature rolling pin, cookies cutters, picks, emery boards, brushes, etc. In no time at all the tools multiply; and, before you know it, take over a portion of your house! The other people who share that living space are forced to give it up. It really is unfair—to everyone concerned. 


It is a challenge to organize so many tiny tools. You can’t have too many tools or too many beads (everyone knows that)! The question is, what do you let go of? 
In my study of Feng Shui I ran across a book entitled Clearing the Clutter. Then I attended a workshop on the same topic. The basic premise for Feng Shui is in the clearing of spaces. The best tip I learned was to create three boxes (or bins) with these labels: donate/repurpose, pitch and keep. The trick for me was getting the boxes to the thrift store or the trash before I got a chance to pull things back out. I kept telling myself, “less is more.” It is so true. 


Sort it all out and systematically categorize the things you are sorting through. If anything appears to be taking up too much space, find a bin for it. Be ruthless…is it being used? Selling or donating unused items is the easiest route in making them go away. The cash or credit you receive is such a plus that the pain of letting go is minimized.
Space planning is also no small feat. It requires a good deal of thoughtful planning and engineering. It also requires a high degree of organization. Without organization, you don’t know what get rid of. In my own case, the dining room table became a parking lot for all stages of design and production. 


I struggled for months (years to be truthful) to figure out a better order for all these things. I had several different beading rooms, but each one became a cluttered nightmare with no visible tabletop to work on.
VOILA! My husband Michael, the wood artist, built a wall-to-wall bookcase from “stick.” It is five sections from floor to ceiling, made of alder-stained cherry with cupboards beneath each section. Each cupboard now houses the myriad of tools and various pieces of equipment for my trade.


One cupboard has kits for seven students (my maximum for teaching workshops), the next has a tower of drawers to house all the molds I’ve made, a variety of texture tips, cutters and the like. The third holds all my firing equipment in a work bucket. The fourth has all my scrap glass and tools for making the dichroic cabochons. The fifth stands empty—yet to be filled, but that is a good thing since I am not finished. I still have beads to organize (get rid of)? The best organizing tool that I have found for beads are 5.5 x 9 x 1 inch trays with separator black felt bottoms. Some even have tops that snap shut. These trays stack neatly, and once labeled, make it easy to find a particular bead.
Bringing peace into your house by organizing your workspace can be done without a degree in Feng Shui. It is highly recommended to understand the principles of this ancient art of placement and worth any time you can spend studying it. The timing is important because the process is difficult on an emotional level. Several weeks in between “pitches” made it easier for me, and each one was less painful than the first. The art of organizing your workspace is a process, and you have to remember to “trust the process.” What a difference it has made to have a clean dining room table! 


With my new organized workspace, I find myself being much more productive .


My head is clear and I find more room to design and plan new projects. In demonstrating my respect for other people’s space, my relationships have improved. I have started cooking again due to the newly cleared dining room table. The kitchen is no longer permanent parking space for the crème brulee torch, torch stand and tumbler!
~ Yvonne Kuennen

Friday, August 26, 2011

I am an Artist and very proud of all my "cakes" !

I have seen a lot of discussions lately about what "Metal Clay" is for some metalsmithing people and I am surprised to see how much misinformation they have about this innovative material.
I understand their lack of knowledge, and those who tried it and said it was a mess, and it does not work. Well, I have some news for you; you did not work with the clay the right way.


I respect everybody's opinion but I think there is a point where we need to be careful in how we talk about people who have chosen to work with metal clay, we can express our thinking without being rude and without insulting.
I have been called lots of names because of my ethnicity but I never thought I will be called "names" because of the medium or material I choose to create some of my work.



One of the latest names I saw was "Cake Decorator", people who work with metal clay are consider to be that by some.
I am okay with the name, I LOVE CAKES !!!
Other people feel we are "pretending to BE" metalsmiths.
We are not pretending to be "Anything", we are just people who have chosen to work with Metal Clay and create art. We are not "cake decorators", "metalsmiths", etc. We are just Artists that are open to experiment with new materials and we are always willing to learn new techniques.


I always encourage my students to learn how to solder and fabricate pieces because it will benefit their own metal clay work.


I started my journey in the art by learning metalsmithing, it was my wonderful and talented teacher -Claire Holliday- who introduced me to this novel material, metal clay, that Claire used to create some of her work. 
One of Claire's metal clay pieces was featured in the front cover of the Metalsmith magazine, a publication of the Society of North American Goldsmiths.
Sea Seed No. 1 (Brooch)
©2005 Claire Holliday
Fine Silver
Photo: Dean Powell


In 2010 I had a wonderful opportunity to show my work (not exclusively metal clay) to other talented and renowned metalsmith artists, among them, Thomas Mann. Thomas was so intrigued and interested that traded one of his pieces for one of mine.I was honored to do a trade with him !
Thomas visiting my table and looking at my work.




Another fascinating and mind opening experience that helped me expand my creativity and techniques, was when I had the pleasure to participate in a workshop and lecture by Robert Ebendorf at the Southwest School of Art in San Antonio, Texas.
What I learned from Bob gave me a new dimension to create, incorporating traditional metalsmith  fabrication techniques with the distinctive style promoted by Bob's work but keeping my own creative voice and designs.
In case you don't know, Bob was one of the founding members of the Society of North American Goldsmiths and an inductee of the National Metalsmiths Hall of Fame.


During the workshop, when Bob saw one of my hand sculpted copper clay trees of life, he suggested to me to create a piece using what I learned from him and using the tree of life as the center component.


This piece was later featured in the front cover of the Metal Clay Artist Magazine, and many other publications.






I really want to give thanks to a lot of my metalsmiths friends and colleagues that are open to see beyond the material. I have learn a lot from all of you. 



Keep learning, keep experimenting, keep creating !


Love,
Lorena Angulo

Thursday, July 7, 2011

2011 Metal Clay Design Competition




If you have not receive your latest issue of Metal Clay Artist Magazine, you may not be aware of this great opportunity to participate in a Metal Clay Competition.


Metal Clay Artist Magazine announced their annual design competition, the theme for this year is "Metal Clay Plus..." The magazine is looking for innovative combinations of metal clay and non-metal materials. Some of the non-metal materials you can use are: Resin, Polymer Clay, Glass, Porcelain, Ceramic, Fabric, Paper, etc.


This year competition is sponsored by USA-based PMC Connection.


Please, visit the magazine's website to see all the rules and requirements to participate.
This is the link: 2011 Metal Clay Design Competition

The deadline to submit your entry is by 11:59 Eastern Time on January 30th, 2012. You have lots of time to play and be creative.


Have FUN and participate !
Winning entries will be showcased in the Spring, 2012 issue of Metal Clay Artist Magazine.

Thursday, May 5, 2011

I found a new modeling clay to play with !

I am always in the look out to find new materials or mediums to play with and I just got a new one that I have been playing with for a couple of days. This new modeling clay is called Craft Porcelain by AMACO and I have been having lots of fun with it.


It is not as easy to textured or carved as Creative Paperclay but the finished look after it is air dry is fantastic.
The modeling clay's name, Craft porcelain, is because after it is air dry the clay looks and feels like porcelain.


Here are some of the pieces I have done playing with this material.


ROSA
©2011 Lorena Angulo
Hand sculpted with Craft Porcelain
SERENITY
©2011 Lorena Angulo
Hand sculpted with Craft Porcelain


QUEEN BIRD
©2011 Lorena Angulo
Hand sculpted with Craft Porcelain



ALCATRAZES
©2011 Lorena Angulo
Hand sculpted with Craft Porcelain

QUEEN BIRD ring
©2011 Lorena Angulo
Hand sculpted with Craft Porcelain



The clay can be painted after it is dry or you can buy it with color also. It is very simple to work with and it can be a good addition for your metal clay work. I also believe that making my designs with this clay can give me a great idea of how my piece can look like in a 3D form.


The pieces need to be sealed after they are dry and finish with a clear sealer to protect the material from getting damage.


Keep playing, Keep creating !!
Love,

Tuesday, March 1, 2011

February RAW rings

This month was a big challenge for me because I spent most of the month sick and taking care of my sick daughter. What really kept me going and gave me great energy was to keep making and creating what I love to do, jewelry.
Even though I was not able to make some pieces that I had in progress, making my rings for RAW was a nice way to make me feel better during my very sick days.
In this month I experimented with a new material and it was invigorating and excited to see my creativity in a different way.
This material gave the opportunity to add a lot of color to my creations, which I love !  Color to me is very important and the brighter the better ! Color can make you happy!


Here are the rings I made for the month of February.

©2011 Lorena Angulo

The top two rings were made with Creative paperclay. I hand sculpted and carved the pieces with the paperclay. After they were dry I colored them with colored pencils and acrylics.
The bottom ring on the right was made with a cork, brass and copper. You can see more about this ring in this post, "My first RAW ring for February."
The bottom ring of the left was made with steel wire and brass wire, I got inspired after reading a wonderful book, Steel wire jewelry.

Because I was so energized with this material, Creative paperclay, I just could not stop and I made already two more rings for the month of March!

VIRGEN DE GUADALUPE
©2011 Lorena Angulo
Creative paperclay, colored pencils and acrylics.
3.11 inches by 1.45 inches
CATRINA
©2011 Lorena Angulo
Creative paperclay, colored pencils, acrylics, beads,
PMC and a CZ.


I had a great time exploring this new materials and I am sure you will love to play with it too.
Have you played with Creative paperclay? I will love to see what you have made.

Here you have all the pieces I made with my first package of Creative paperclay.



Keep playing, keep creating !

Love,

Thursday, February 10, 2011

Valentine's Day is coming !!!

Valentine's day is coming and it can be a big motivator to create and design hearts. 
I love to design hearts all year round in my work, hearts for me have a strong meaning in my life. I grew up in Mexico surrounded by them, mostly the "Milagro style hearts".




©2010 Lorena Angulo

The heart symbolizes how we love, who we love and why. It also means how we love ourselves and how we take care of ourselves and our health. A heart is a symbol of passion, passion for what we do and for life. 
Live your life to the fullest!



Do you like to create hearts? Why do you like them?
Show us some pictures of your hearts ! We will love to see them !



Keep Playing, Keep Creating !!

Love,


Wednesday, February 2, 2011

Ring a Week 2011

I had the wonderful opportunity to participate in RAD (ring a day) last year. This challenge thought me a lot and gave me more confidence in my work. I met a lot of incredible talented artists from around the world, who share the same passion for art and jewelry. 
A lot of the artists who participated in RAD where a little sad that our journey was over. This is the main reason why Thomasin Durgin decided to form a new group for us to continue with our journey.
RAW(ring a week) counts with 264 artists who are creating rings in any medium or material. Everybody is welcome to join the group at any time. 
Lots of my friends are now participating in RAW like Kelly Russell, who has been posting in the blog about her rings. I am very happy to see them all in this challenge.


My first month of RAW is over. 
I managed to create 5 rings.



© 2011 Lorena Angulo
RAW, January 2011



Keep playing, keep creating !!

Love,

Wednesday, January 5, 2011

PMC Pro

Hola !! 
This is Lorena Angulo and I want to share with you my experience with the newest PMC in the market.
PMC Pro was introduced during the PMC conference in Perdue last year. Metal Clay Artists Magazine talks about it in the latest issue, if you do not have this issue you still can buy it here.






I was a little unsure about this "new" clay but as I always said, "I can not say I do not like something if I have not tried it yet!".
In my personal blog, I shared my experience and the pieces I made with my 25 grams of PMC Pro.
Do you want to take a look at them?
Visit these links and let me know what you think about it.

This is my first ring I made with PMC Pro.
BIRD NEST
©2010 Lorena Angulo
PMC Pro

Have you played with this clay yet? 
We will love to know what you think.

Hope my postings help you in any way and if you have not tried the PMC Pro yet, give it a change !


Keep Playing !!  Keep Creating !!
~ Lorena ~
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